Herbie Nichols SUNG as part of FV’s curated week at the Stone at the top of 2019, celebrating 100th birthday of Herbie Nichols…photo: Carlos Alberto Murrat

Happy 2019 dear friends!!

All the best wishes for this and every year.

Thank you and much love to all the musicians, students and friends that were a major part of my music making life in 2018. It was a transforming year for me starting the year as a Yaddo Fellow for 6 weeks that changed my artistic mindset completely. Seriously.  Those 6 weeks exposed me to some of the most brilliant artists I ever encountered in any discipline. The constant talks about process and development forced me to take a good look at how I viewed my own work as musician. I’ve spent the rest of 2018 ingesting these new perspectives, a true mind shift for me.

I upped my teaching game in – I taught more courses on Creative Improvisation and Improvising Strategies for Songwriters (w hubby Jochem van Dijk) and was a guest lecturer at Banff for the first time, I also continued to run the Jazz Vocal Summit at the New York Workshop for the 8th year in a row.

The We Have Voice Collective truly blossomed in 2018 (We started at the end of 2017) with the release of our Code of Conduct for the Performing Arts that created a wonderful flurry of discussion and discourse around sexual harassment and bullying within our performing arts community. This is the most amazing group of powerful women and non-gender conforming artists that I’ve ever had the honor of being a part of.  I’m in awe of them as individuals and the dedication they have shown to this Collective and to the cause.

2018 was an amazing year for album releases! Grateful to have been a guest on guitarist Marc Ribot’s Songs of Resistance Project alongside powerhouses such as Tom Waits, Steve Earle and Meshell Ndegeocello, I’m also singing on the brilliant composer/flutist Nicole Mitchell’s Maroon Cloud with Tomeka Reid & Aruan Ortiz in the mix.

After 5 years of no project out under my own name, I released Wet Robots on ESP Disk with my ridiculously incredible group SoundNoiseFUNK. Grateful that Wet Robots made some waves (including 4.5 stars in DownBeat magazine, being in the DB HotBox for the first time, a feature in a Norwegian newspaper and great reviews & words and outlets such as Popmatters, JazzTimes, The New York Times….and #4 on the Jazz Critics Poll for 2018 (tied with Kurt Elling) Wow!! I was floored by the attention the album received, and grateful.

I went back into the studio in 2018 (well a barn-like studio as it were) Upstate NY in September to record Barnsongs, Old & New and working on releasing that in 2019. A combination of old and new compositions of mine and Jochem van Dijk’s reconfigured for voice, alto saxophone (Darius Jones) and cello (Marika Hughes).

Last and not least by far – health became a focal point for me in 2018.  Had a health scare that required a major operation and an 8 week recovery just before Summer began. I’m OK now, absolutely fine. Although it was was tough and difficult to go through. Yet, there was an abundance of beauty too. So much love and community came to the fore, a deep trust that all would be OK prevailed. People showed up and showed who they were.  I learned about love in a deeper way than I understood it before. I don’t want to go through something like this again but I learned from it and I’m here! And the ultimate lesson I learned about myself… to quote a title from Marc Ribot’s Songs of Resistance album ”I ain’t gonna let nothing turn me around” for long.

Much love, make this a special 2019.

Fay

HAPPY HOLIDAYS! (Photo taken in Mexico City, Mexico)

Greetings and Happy Holidays to you all! Wishing everyone a wondrous holiday season and a prosperous and positive 2019.  2018 has been some year on the world stage with a swift wind change right in politics around the world.  Watching the news makes everything seem grim or how it all is coming to a dismal end.  Climate change notwithstanding, there is still lots of positivity around the world.  People trying to enjoy and simplify their lives as best they can.  I spent most of the autumn in amazing cities: Seattle, San Francisco, Long Beach, Rome, Venice, Krakow, Poland and Mexico City. Everywhere the similar thread was so many homeless among the opulence. Affluent folk peering in at the lives of people either catering to their whims or somehow superficially related to outside perceptions. Yet I also met people happy with their lives as is. Content. At peace. No longer searching if they ever were.  Except for music, maybe, in time of need. I was amazed to discover in Mexico that anyone can sing with Mariachi musicians and people DO when they are sad or full of heartbreak over jilted lover. This is how normal folk come out to relieve themselves of the pain of loss and more, in community. One example of how it is still a big beautiful world out there and if you can, go out and taste it.

After all this moving around, I’m firmly planted back in NYC for sometime and so much good stuff is coming up.  January is chock full of goodies including the Herbie Nichols Centennial Celebration at The Stone that I’m honored to curate + my Mutations for Justice project is on the Winter JazzFest January 12th 2019 at SOB’s. Before we hit 2019, please join me at the 55BAR for the last performance of the year: at the 55BAR with Old Songs, New Skin. Come and join us for a toast to kissing 2018 goodbye!

DEC 27 Old Songs, New Skin
FV – voice, compositions
Marika Hughes – cello
Darius Jones – alto saxophone
55 Bar
55 Christopher Street
7-9PM
No Cover, 2 drink minimum

Old Songs, New Skin!(Marika Hughes, FV, Darius Jones)

Seriously though,  sending the best wishes for a safe, fun and rewarding holiday season + a spanking new and prosperous 2019. I am so grateful for everyone’s support this year of the music and projects I’m involved in and coming out to shows. I could not do what I do without working with and in front of great people.  Incredible to be on record with Marc Ribot, Nicole Mitchell and my own SoundNoiseFUNK in 2018, amazed that all of these projects were well received by music lovers as well as the critics.

Thank you, thank you friends!
In gratitude,
Fay

 

Dear Friends!

Happy Halloween which with all that is happening around us, seems the most benign of holidays as the horrors around us are real.  Difficult to feel inspired and positive some days yet being creative continues to feed a sense of solidarity and community and a place to release what I’m feeling in a way an audience can hear it.  I’m back a few days from the West Coast – first at Earshot Jazz Festival & Cornish School for the Arts and then in residency at University of California at Irvine.  Throughout performance, talks and instruction I kept informing as much as I could about freedom from within, expansive thinking and taking social responsibility in these times.  Not everybody has a comment to make or cares to but if you have something to share, then do so – because we all need to hear it.  No matter how strong my words were, the feedback that came my way from the audience was they needed to hear these thoughts, they needed to know that their thoughts and feelings are not alone out here.  Be brave and do it!

As November approaches and the midterm elections are upon us do your civic duty and vote.  I’m voting early as I’m out of town on Election Day. We need to turn this around.  To that end – here is a Video I made called Sleep On It, mainly about Brett Kavanaugh but…well check it out here.  The Pacific Ocean was the inspiration for the video too.

Some good news: SoundNoiseFUNK’s Wet Robots is up for grammy consideration in the Best Jazz Vocal Album Category! If you’re a NARAS member, please consider voting and/or spreading the word.  Special thanks to the spectacular cellist Tomeka Reid for spearheading the push to get more creative music on the Grammys.  This wouldn’t have happened without her nudge and work. Here’s a link to the album via band camp – thank you!

https://fayvictorssoundnoisefunk.bandcamp.com/album/wet-robots

Some very special news: I’m honored to curate a four day celebration for the life of pianist/composer Herbie Nichols Centennial at the Stone in January 2019.  Herbie Nichols would have been 100 years old on January 3 2019 and I can’t wait for this special presentation of his music which includes the Jazz Composers Collective, my Herbie Nichols SUNG project, an evening of Solo Recitations and Roswell Rudd’s Trombone Tribe playing mainly Herbie Nichols compositions I want this to be a great festival and also document each night for future jazz fans in general and Nichols’ fans in particular to have access to.  To that end, I’m asking for a little help and started a GoFundMe Page. Please take a look and give what you can.  I thank you in advance for your support.

https://www.gofundme.com/support-herbie-nichols-celebration&rcid=r01-154091913395-aac83f914e5f4aea&pc=ot_co_campmgmt_w

On the Road in November 2018

NOV 6 – Romaeuropa Festival w Daniele del Monaco & Marc Ribot (Rome, Italy) + Recording

NOV 20 – Krakow Jazz Autumn w ReddeeR – (Krakow, Poland)

NOV 29 – 55BAR w Herbie Nichols SUNG, NY NY

Coming UP in December 2018

DEC 19 – Arete – DUO with Val-Inc!! Double Bill w Gabriel Zucker CD Release  (Brooklyn, NY)

DEC 21 – Greater Calvary Baptist Church w SoundNoiseFUNK (NY, NY)

DEC 27 – 55BAR w Old Songs, New Skin (NY, NY)

Full details on the performance page of the FV website.
Thanks for reading,

Fay

The FV Birthday Hang Crew 2018 – Reggie Nicholson, Jochem van Dijk, Marty Ehrlich, Sean Conly, Darius Jones, Marika Hughes & Maria Grand (not pictured) at the 55BAR on July 26 2018

Dear Friends,

August is here and that signals the downward slide of summer. For me, it’s my only summer space since the first half was spent tucked away and now this month I truly get to play.  Before I get to all that, many thanks to those of you that wished me a Happy Birthday in and out of Social Media Land. It felt so grand to get your good wishes and the hang at the 55AR was sublime – fun, serious, intense, great house of great people with old and new friends! Back at the 55 BAR with Old Songs, New Skin (which we will record just a week later for release in 2019), more on that below. Before that  – I’m honored to appear with Nicole Mitchell Dusty Wings project at the NewPort Jazz Festival (a first!) on August 5th and at the Stone as part of her Xenogenesis Suite: Tribute to Octavia Butler on August 11th.  Then teaching in NY and Canada this month for the New York Jazz Workshop and Banff Center for Creative Music respectively. Details below…thanks for reading

SUNDAY, August 5 2018 – NOON
Nicole Mitchell’s Dusty Wings
NEWPORT JAZZ FESTIVAL
Newport, RI
Nicole Mitchell – flutes, compositions
Taylor Ho Bynum – cornet
Rashaan Carter – double bass
Shinazatte Tinnen – drums
FV – voice

THURSDAY, August 9 – SUNDAY, August 12 2018
Jazz Vocal Summit – Intermediate/Advanced
FV, Course Instruction
8th year in a row!
The New York Jazz Workshop – www.newyorkjazzworkshop.com

SATURDAY, August 11 2018
Nicole Mitchell’s Xenogenesis Suite: A Tribute to Octavia Butler
The STONE
55 West 13th Street, NYC
Nicole Mitchell-flutes, compositions

Darius Jones-alto sax
Ken Filiano-bass
Angelica Sanchez-piano
Marika Hughes-cello
Pheeroan Aklaff-drums
FV-voice

MONDAY, August 20 – SATURDAY, August 25, 2018
Guest lecturer – Banff International Workshop on Jazz & Creative Music
Banff, Alberta, Canada
Vijay Iyer & Dr. Tyshawn Sorey – Artistic Directors

THURSDAY, August 30, 2018
55 BAR Monthly Residency – Old Songs, New Skin
Marika Hughes – cello
Darius Jones – alto sax
FV – voice, compositions

The 55 BAR
7-9PM

55 Christopher Street
New York, NY