What’s going on this JULY

Hello,

Summer is finally here and I’m looking forward to one big show before a small summer slowdown then doing a couple of wonderful things at the end of July.   More on all that in a minute but I need to give praise for the month that was JUNE 2013, it was a great month.  A landmark month maybe.  No Carnegie Hall hit or an appearance with the New York Philharmonic but I worked with four esteemed musicians this month for the first time, The FVE kicked ass at the Red Hook Jazz Festival, I MC’d the final night of Vision Festival 18, played a great night of Standards with new musicians and a new venue in Baltimore, MD and the ExPosed Blues DUO played at Cornelia Street Cafe for the first time, that concert becoming the catalyst toward a new and wonderful musical direction.

At the end of May at the 55BAR a friend told me how lucky I was to do what I do and to get to share and connect with so many people from all over the world.  Her statement gave me pause because although I say I’m grateful a lot, lately I’ve been too busy with wanting more and feeling I’m getting less.  Her words made me see what I have to be so grateful for and June exemplified what living a full musical life enables sometimes – fortunate and deep connections communicated in a unique way with people who are strangers at first but quickly become confidantes accessing areas so remote in other parts of life yet may bloom in full view here.  So working with pianist Aruan Ortiz, saxophonist Sam Newsome, guitarist Marvin Sewell and the legendary drummer Andrew Cyrille for the first time this month unlocked new vistas for me.

And before the summer breaks, please join the Fay Victor Ensemble at our DEBUT at the SHAPESHIFTER LAB on TUESDAY, JULY 2nd at 8:15PM performing music from the upcoming release Absinthe & Vermouth…all the deets are here! I love this group so much.  how we play together and interact is really special.  I hope you join us as well be laying low until close to the release of Absinthe and Vermouth in the Fall.

Also at the end of July I’ll appear as a featured guest with reedist Michael Moore’s quartet at the Stone on TUESDAY JULY 23rd. Michael will be here for a week doing a Stone residency and I’m honored that he asked me to join his group. I round out July with and a double celebration of my one year 55 BAR Residency and my birthday which I celebrate on July 26th (also the date we started last year).  The gig last year was phenomenal with amazing musicians and people joining me on the bandstand including Tyshawn Sorey, Michael Attias, Ratzo Harris, Ras Moshe and Kyoko Kitamura for a rip roaring good time.  This year I’m looking forward to celebrating one year of having the last Thursday of the month to share my music and I’m inviting a different cast of characters to join the fun including Darius Jones, Roy Campbell, Reggie Nicholson and more…happening onTHURSDAY, JULY 25th at the 55BAR for the Early Set.

Thanks for reading and have a safe and relaxing summer!  I’ll be back with an August update as I head to the West Coast once again to make music with Lisa Mezzacappa and Herbie Nichols Sung makes a quartet appearance on the 55BAR residency at the end of the month + an update on the release of Absinthe & Vermouth!

Fay

A June bug told me to be out on the town!

Happy June!

After the touch and go weather month that May was, I’m happy to see my city bathed in sunlight and mild temperatures…and I’m happy to be out making music in this fair city this month (with a little step out of town as well) and I can’t wait to tell you all about it.

Getting there shortly and before I do, I want to talk about a special event last month – I put on my first student presentation. This was major for me. I’ve been teaching voice privately and in groups for going on 15 years and outside of any school based presentations I’ve been involved in, I hadn’t put on one of my own. So on THURSDAY, MAY 30, I gave over my monthly 55BAR residency and asked a few esteemed vocalists from the New York scene to come in and “SIT IN”. Students & Sit-ins turned out to be a wonderful  evening. The students gave strong performances and the vocalists that gave of their time and spirit were a delight and an inspiration to hear. Folks stopping by to hang were treated with a evening full of vocalists performing to great accompaniment of pianist John Austria and bassist Andrea Veneziani. I’m very proud of the work the students have put into their own personal sound and grateful to Lezlie Harrison, Marianne Solivan, Katie Bull and Amy Cervini offering a wonderful glimpse into how it can be done! We dedicated the night to the astounding pianist Mulgrew Miller who passed away last week and still has the jazz world shattered. It felt appropriate dedicating these performances to him, a dedicated educator and mentor beloved by so many for his unique take on the jazz tradition in his playing. May he rest in peace. Thanks again to all that were involved including the fantastic and supportive audience that came out to show love and happiness to all the vocalists.

Lots coming up this month, so I’ll dive right in with the happenings and as always performance details on the PERFORMANCE section of the FV sight.

– Coming up this SUNDAY, JUNE 9, the Fay Victor Ensemble is thrilled to be part of the Red Hook Jazz Festival, the first festival we’ve appeared on since our 2010 appearance on the Vision Festival and we’re really looking forward! Our new record, ABSINTHE & VERMOUTH is rolling out later this Fall will be the playlist for our 2PM set.

SATURDAY, JUNE 15 I’ll hang with Alby Balgochian’s BassCentric at the reopening of the wonderful 5C Cafe in the Lower East Side.

SUNDAY, JUNE 16,  I’m MC’ing the night of Vision Festival 18 at Roulette in Brooklyn. This year the festival honors drummer Dr. Milford Graves with a night devoted to him on WEDNESDAY, JUNE 12th

– The ExPosed Blues Duo (Guitarist Anders Nilsson and myself) perform on Sara Serpa’s curated Voice Box Series at Cornelia Street Cafe on TUESDAY, JUNE 18 for the early at at 8:30PM. We’ll be unleashing some new directions on this gig…and coming up at 10PM is the Camila Meza quartet.

– A performance I’m just honored to take part with these esteemed gentlemen: pianist Aruan Ortiz, saxophonist Sam Newsome and the legendary drummer Andrew Cyrille as part of Arun Ortiz’s Music and Architecture Series at DROM on THURSDAY, JUNE 20 from 9 – 11PM.

– Heading to Baltimore to hang and play at Caton Castle on SATURDAY, JUNE 22,  performing Blues and Standards with a killing Baltimore based quartet.

– This month’s 55BAR residency has the esteemed guitarist Marvin Sewell joining me and perhaps a special guest. Come hang with us  for the Early Set on THURSDAY, JUNE 27.

Thanks for reading and I’m sending wishes of love, kindness, openness and support. I’m blessed to be able to go out into the world on my terms as much as possible and its because so many beautiful souls have told me the truth about themselves, their lives and how what I do may filter through that. Its such a gift to get that insight into others hearts and souls. I recently wrote a piece about the process of dying while waiting on someone you love desperately to come home, based on a true story. I performed that piece in a concert a few months ago and afterwards a listener came up to me and told me that when her Mom was dying, her Mom wanted to wait on her Dad to be there to see her go.  How her Mom held on as long as she could and he made it in time. The listener told me that she never heard a piece of music convey that idea as strongly as this piece did for her. What an honor that the listener shared that with me, letting me into something so deeply private while letting me know that my intention came across loud and clear to her.

February 2013 news, thoughts and views

Yup, just under the fresh heels of a winter snowstorm in New York City and since I’ve yet to step out in it, I love it to death.  Its so wonderful to look at from the distance of dry warm feet and until I have to step out into it, that’s how I’ll feel.  No winter is not my thing, but that’s no reason to move away from New York City (although it was a GREAT reason to move away from Syracuse, NY), so I’m looking forward to see it go.  Later this month I’ll step out of town but no warmer climes for me but perhaps if I’m lucky more temperate.  And then there’s the music that’s happening before I head out of town which I hope will heat things up. Before getting into what’s coming up, I’d like to give a HUGE thanks to all the folks that came out to the shows plus a small wrap up of the amazing music month that was January 2013!

The moment JANUARY 1st, 2013  landed and I woke up, I felt like a new person, like something strange had lifted and flew away. So cliche no?  Yet it is the absolute truth and boy did I need that sort of energy going into the month as I had more gigs in NYC last month that I’ve ever had since I’ve loved here ( or ever) and ended the month recording the new Fay Victor Ensemble album ABSINTHE & VERMOUTH, due for release in September 2013. I’m so proud of what guitarist Anders Nilsson and double bassist Ken Filiano contributed to the music…boy oh BOY!

January started though with the music of Herbie Nichols as I opened the IBEAM residency I had on Saturdays in January with the launch of the quintet version of the project including Rudy Roylston on drums and the great Anthony Coleman on piano along with Michael Attias on reeds and Ratzo Harris on bass.  The quintet also played a set at Cornelia Street Cafe as part of vocalist Sara Serpa’s Voice Box Festival on JANUARY 22nd.  The rest of the residency was the Fay Victor Ensemble honing the original music we’ve been playing plus brand new pieces for the recording.  It was a great time at IBEAM, a wonderful performance space in Brooklyn and as a band we grew over the three Saturdays we played there.  We filmed the music too and here’s a teaser video of what’s to come on the new record: CRYSTAL – Fay Victor Ensemble The band also played at BAM Cafe LIve, one of the best venues to pay in the city with a great crowd and a fantastic atmosphere.  Great performing there again, I saw it as a good omen that we play at BAM at this time since we also performed at the Bam Cafe Live right before recording our last CD, The FreeSong Suite in 2008.  Looking forward to sharing this music with everyone and I’ll keep you posted on events and sounds as they unravel!  January ended at the 55BAR for my monthly residency there with Herbie Nichols in trio with Razto Harris and Michael Attias.  That was so much fun and a great way to end where we began the month with Herbie Nichols.  I’ll be back at the 55BAR on March 28th with the Lisa Mezzacappa/Fay Victor TRIO!

A very important note: I was honored and humbled to be asked my William Parker to sing a piece he wrote for David S. Ware’s Memorial at St. Peter’s Church on JANUARY 7, 2013.  The evening was a pristine example of space, love, class, dignity, compassion and music with performances by Matt Schipp, Guillermo Brown, William Parker, Cooper-Moore, Joe Morris, Steve Dalachinsky, Daniel Carter, Darius Jones, Muhammed Ali and more.

Coming up this month, this TUESDAY, FEBRUARY 12th, I’ll appear with the ExPosed Blues DUO and special guest Darius Jones for a set sharing the bill with Turkish guitar phenom Timucin Sahin at DROM and then I’ll appear with William Parker’s Essential Orchestra at Roulette on SATURDAY, FEBRUARY 16th.  Then I’m one the road, meeting family in France and heading to Berlin to work on and play Herbie Nichols with pianist Achim Kaufmann and tenor saxophonist Tobias Delius, culminating in 2 nights of concerts MARCH 1st and 2nd in Berlin.  February began with the openingof the Evolving Series and a special duo with drummer/composer Tyshawn Sorey.  It was a powerful start and I trust there will be more, and soon.

Going back to January once more -it was an incredible month but a sad month as well. With the loss of Butch Morris suddenly and the recent passing of Jayne Cortez and now most recently Donald Byrd (amongst so many others), it hard not to feel that our heroes and mentors are leaving quickly, like butterflies. In the case of Butch Morris, I can say with great honor that I worked with him and learned a lot from him when I did.  I attended his conduction workshops in NYC back in February 2005, the now famous Black February and attended many of those events.  I later became part of his Chorus of Poets for about three years and I tapped into Butch’s ‘Conduction’ method at a time when I was figuring out how to improvise on my own terms and truly venture into the free. It was great to have a method of improvisation where you essentially respond to his baton and in turn that creates an orchestrated sound in its entirety, whether its with voices, strings, brass, percussion or any combination of these. It was an enlightening, sometimes frustrating experience to go through but I’m a much better improvisor because of it.  Rest in peace, Mr Morris.

Thank you for reading and many thanks for your continued support.  Let’s go out and support each other’s music. Let’s share and gather for reasons other than death or loss because in sadness and in good times – MUSIC IS THE BEST.

Fay

 

Welcome 2013!

Happy New Year Friends,

My best wishes to you and all who are dear to you to have the best year yet and I’m looking forward to get this year off and running.  2012 was an awkward year for me, I mean some amazing things went down such as playing duo with the great Misha Mengelberg, performing with the great Hamid Drake and Dave Burrell and in Montreal for the first time, my teaching practice grew, thanks to my students I became a better teacher and I solidified the next two projects I’m going to release (more on one of those releases later in this post).  But it was also a tough year, climaxed by Hurricane Sandy and the tragedy in Newtown, Connecticut just as the holiday season was in full swing. So many have and are suffering so it feels good to start fresh with hope and a positive destiny.  I’m doing my best to start the year off with a bang.  Lots going on this January including a month long I-BEAM Residency, an appearance on Sara Serpa’s curated vocal festival at Cornelia Street Cafe, the FVE appears at BAMCafe and we also record our third release and follow up to 2009’s The FreeSong Suite at the close of January 2013, set for an autumn 2013 release.  Incredibly excited about that!

Here are the dates and groups for I-BEAM (also check the gig calendar):

SATURDAY, JANUARY 5th
Herbie Nichols Sung
8:30 + 9:30 PM
FV -voice, words
Michael Attias – alto + baritone sax
Anthony Coleman – piano
Ratzo Harris – bass
Rudy Roylston – drums
SATURDAY, JANUARY 12th
The Fay Victor Ensemble/Ken Filiano’s Quantum Entanglements
8:30PM
Ken Filiano’s Quantum Entanglements
Ken Filiano – bass, compositions
Michael Attias – alto & baritone saxophone
Michael TA Thompson – drums
Tom Hamilton – Electronic Soundscapes
9:30 PM
The Fay Victor Ensemble
FV -voice, compositions
Anders Nilsson – electric guitar, effects
Ken Filiano – double bass, effects
SATURDAY, JANUARY 19th
The Fay Victor Ensemble / Hot & Cold
8:30PM
The Fay Victor Ensemble
FV -voice, compositions
Anders Nilsson – electric guitar, effects
Ken Filiano – double bass, effects
9:30 PM
Hot & Cold
Anders Nilsson – guitars
Aaron Duggan – guitar
SATURDAY, JANUARY 26th
The Fay Victor Ensemble
8:30PM + 9:30PM
FV -voice, compositions
Anders Nilsson – electric guitar, effects
Ken Filiano – double bass, effects

 

Alongside this amazing opportunity is an appearance with Herbie Nichols SUNG on Sara Serpa’s curated Vocal Festival at Cornelia Street Cafe on TUESDAY, JANUARY 22, 2013 plus the Fay Victor Ensemble performs at BAMCafe LIVE in FRIDAY, JANUARY 25, 2013!! A wonderful place to perform and a great omen for us as it was the last gig the FVE did before going into the studio to record The FreeSong Suite back in 2008.  It feels good to have that same venue once again right before we record our next release. I end the month with Herbie Nichols SUNG once again, paired back down to a trio at the 55BAR on the last day of the first month of this new year.

Always at this time of the year, I try to reflect on all of the wonderful and gracious people I have as friends and those I come across in my travels that have been supportive of what I do and this year is no different, yet it took me a moment to feel grateful.  As I mentioned earlier in this post, seeing 2012 go felt great to me and I woke up today feeling clear and fresh in a fashion I haven’t felt in some time.  I don’t know why this feeling fills this specific day but it may have something to do with my final performance of 2012 – last week Thursday at the 55BAR. I played blues and standards with a crackpot group to a packed audience that was having a ball.  I realized later that I hadn’t felt that sort of connection with an audience in quite some time either and I want to do more about that.  Make the music I make with the focused agenda of connection no matter how abstract the music may be.  Its been a wonderful journey learning about what I do and say thanks to you all that listen.  I listen.  I feel when the music isn’t working, I trust you to tell the truth, especially in this city.  A big thank you to those who’ve been supportive, loving, caring and honest.

May 2013 be the year you go for the truth in your own lives and may you also love bigger and better than ever before.

Cheers!
Fay

June 2011 is BUSTING Open and Up

Hey Friends,

It appears that 2011 has reached its halfway mark and I can still remember clearly the beginning of this year!  Time is moving so fast and summer is almost here.  Feels like it is here since temps have hit 90 already and NYC gets ready for its jazz and blues summer with music in bigger and open spaces, where just walking by gets you an earful.  One of the great things of living in this city.  I hope everyone who reads this post and lives here too gets out and takes in as much of it as possible.  I sometimes forget to myself, so busy with work sometimes. But I decided this summer, I’ll try to be out more and enjoy what NYC has to offer. Its a treasure and with funding getting cut more and more, there is no guarantee that all these wonderful cultural events we take for granted will be here in years to come.  Just to name a small sampling, check out Central Park’s Summerstage, Brooklyn’s Prospect Park Bandshell, the Undead Jazz Festival and of course the Vision Festival, of which I am fortunate to be a part for the second year in a row.  And speaking of that, there’s a lot of musical diversity in my gig list this month, because of this city and the vibrant, diverse scene here.  There’s so much going on that I’m going to get right to it!

Coming up in a few, on FRIDAY, JUNE 3 2011 to be exact the FVE hits the early set at the 55BAR.  We had a thrilling night last month on Frank Oteri’s 21st Century Schizoid Music ar Cornelia Street Cafe where the FVE did a double bill with my Jazz Vault project (where we did a complete set of Herbie Nichols compositions) and the FVE performed the new music we’re working towards recording.  We’re getting the music stronger and tighter and we’ll continue digging in this Friday.  So come on down!

FRIDAY, JUNE 3 2011
The FAY VICTOR ENSEMBLE
The 55BAR

FV-voice, compositions
Anders Nilsson-guitar, effects
Ken Filiano-bass, effects
Michael TA Thompson-drums,percussion
6PM-9PM
NO Cover, 2 drink minimum

Then I’ll be on the Vision Festival as part of Vocal Flight with vocalists Kyoko Kitamura and Jean Carla Rodea and bassist Filiano and drummer Tyshawn Sorey filling out the ensemble.  A combination of composed pieces and free music…dancing on the edge.  We kick off the night and what a night it is.

MONDAY, JUNE 6 2011

VOCAL FLIGHT
7:00PM – 8:00PM
Kyoko Kitamura, Jean Carla Rodea, FV – voice
Ken Filiano-bass
Tyshawn Sorey-drums
Abrons Arts Center Main Stage
466 Grand Street between
Pitt St and Abraham Pl
Door:$30  Event Pass:$140  Students & Seniors:$20
nearest subway East Broadway or Delancey on the F, Essex St on the J,M,Z
complete schedule – www.visionfestival.org

On SUNDAY JUNE 12 2011 join myself and percussionist Satoshi Takeshi for an intimate concert at the loft of the Connie Crothers. We’ll delve into words and textures focusing on sound exploration. I had the amazing honor of performing with the esteemed poet and writer Amiri Baraka last month on a beautiful concert put together by percussionist Reggie Nicholson.  The sound of words and drums alone is truly special and I look forward to continue this exploration with Satoshi. Perhaps we’ll have a special guest as well.

CONCERT IN CONNIE’S LOFT
at the home of pianist extraordinaire Connie Crothers
Presents: DUO-Fay Victor/Satoshi Takeshi
SUNDAY, JUNE 12, 2011

3PM
Contribution $10
475 Kent Avenue (between Division Avenue and South 11th Street),
#410 Brooklyn, NY 11211(get full directions in the performance section)

Then PLEASE Save the Date of SUNDAY, JUNE 19, 2011 is the CD-Release for KAISO STORIES!!

The record has gotten some great reviews and we’re thrilled at the reception of the music and of Calypso!  So please join myself and Other Dimensions in Music for this special event…

Some words we’ve gotten on KAISO STORIES:

“While the record is steeped in Victor’s heritage, even the accents and inflections she grew up hearing, it’d be a mistake to call KAISO STORIES a calypso record. It’s free jazz with source material and as such is an unusual and wonderful album.”
-Kurt Gottschalk , The New York City Jazz Record

9/10 – “Conjuring up the spirit of Jeanne Lee, Fay Victor speaks, sings, and wails like a horn through variations of eight Caribbean tunes from the 1930s through early ’70s. A wonderful combination, simultaneously true to its origins and entirely new.”
-Laurence Joseph, Montreal Mirror

***** “Victor’s voice sonically melds with Carter and Campbell, becoming a third horn, adding compelling counterpoint throughout. In a civilized world with a forward thinking music industry and curious listenership, in a culture a where Art was as valued as everyone likes to say it is,KAISO STORIES would be a crossover sensation, charting for months and finding a grateful audience that no Improvised music had found before. Until such time, it is one for the initiated to treasure.”
Stanley Zappa, Free Jazz

Happening at The STONE – SUNDAY, JUNE 19 2011

OTHER DIMENSIONS IN MUSIC w/FAY VICTOR
10PM
FV-voice
Roy Campbell-trumpets and more
Daniel Carter-reeds and more
William Parker-bass and more
Charles Downs-drums

www.thestonenyc.com

The last gig of the month goes somewhere else again.  Doing our semi annual double bill hang, myself and Kyoko Kitamura have a very different meeting from the Vision Festival gig, pairing ourselves off with complementary partners.  Kyoko with dancer Mark Lamb and myself with bassist Ken Filiano. Not sure where we’ll go and that’s definitely part of the fun.

DOUBLE BILL: Kyoko Kitamura/Mark Lamb + FV/Ken Filiano
SATURDAY JUNE 25, 2011
5C CAFE
Avenue C and 5th St.
$10 suggested donation

8PM
Kyoko Kitamura-voice/piano
Mark Lamb-spoken words, movement
9PM
FV-voice
Ken Filiano-bass

Phew! With the exception of a couple things, I’m going to take it a little easy this summer gig-wise, focusing on workshops I’ll be teaching in NYC and California in a few months and on a wonderful project with Dutch composer/musician Ab Baars.  Much more on all of this soon. Thanks so much to reading and I hope to see you in the park listening to music or at one of the shows.

Happy coming summer,
Fay

 

Percussion, Words and Movement for MAY 2011

Dear Friends,

A happy Spring to you! Here in NYC we finally have a Spring I’m delighted to say.  It was tough going for a moment but that seems to be behind us now (if I haven’t jinxed it with this post!) Anyway, I digress.  So much to share so I’ll just get to it…

I mentioned in my last post that I’d perform with The Instant Composer’s Pool Orkest in Philadelphia and that was an amazingly fun night in early April! The music felt great all around, the audience was full and seemed to enjoy it plus the Christ Church in Philadelphia is such a beautiful venue.  Some family and friends came down to take in the concert as well.  Many thanks to the ICP for having me with them during their 3 day stay at the Ars Nova Workshop and to Susanna von Canon for all the arrangements.  About a week later on Monday, APRIL 11 the Evolving Music Series moved from the Local 269 to its new home at the Celemente Soto Velez.  We had an AMAZING grand opening including a duo set with Theo Bleckmann/Jay Clayton, The Charles Gayle Forgiveness Trio and Charles Gayle conducted a large ensemble after that as well to close out the night!  Thanks to bassist Dominic Lash for performing the opening set with me to a packed house.  I closed out April with a fun set at the 55BAR playing with the Jazz Vault Project working out some new vibes for a big gig coming up this month! Getting to that shortly but before I do a BIG thank you to Jason Crane for once again asking me to be on his popular and wonderful podcast, the JazzSession.  The show aired on April 11, 2011 and is still available for download here.

What’s on for May?  Well please everybody SAVE THE DATE of MONDAY, MAY 23 2011.  On this day I am proud to take part in Frank Oteri’s amazing Series 21st Century Schizoid Music at Cornelia Street Cafe. I’ll present two groups this evening, first up will be the Jazz Vault Project and then the Fay Victor Ensemble will perform on the 2nd set.  The Jazz Vault Project will focus on compositions of Herbie Nichols for this special evening and the Fay Victor Ensemble will perform new studio bound music for our third recording. It’s a great opportunity to present two of my groups and a great opportunity for people who haven’t seen me before to get a taste of what what I do.  I do hope you can make it and please spread the word!!
The Jazz Vault Project @ 8:30PM
FV-voice
Oscar Noriega-reeds
Anders Nilsson-acoustic guitar
Jose Davila-tuba

The Fay Victor Ensemble @ 9:30
FV-voice, compositions
Anders Nilsson-electric guitar, effects
Ken Filiano-double bass, effects
Michael TA Thompson-drums, percussion

On SUNDAY, MAY 22, 2011, I’ll take part in a special performance as a special guest with Percussionist Reggie Nicholson’s Percoetry project featuring Reggie Nicholson and the esteemed and legendary writer and poet, Amiri Baraka. I’m honored and humbled to share the stage with these two gentlemen. Please join us for a very different take through sounds and words in the afternoon with tea and other refreshments.  This is the LoftArt Series curated by Nioka Workman held at the TheatreLab.  And in just a couple of days – this TUESDAY, MAY 3, 2011 – please join me for the premiere of a new trio with reedist Oscar Noriega and precussionist Satoshi Takeshi, we’re calling it the Cauldron Trio, checking out sounds and textures using my words and the words of Paul Laurence Dunbar, Langston Hughes, Paul Harding, and Edgar Allen Poe with a free-improv flow. We’re on at the University of the Streets featuring a moment with Matt Lavelle on alto clarinet.  We’re on the 8PM set and all performance details are in the performance section of the FV site.

KAISO STORIES(Silkheart Records, 2011), my calyps0-free jazz project with Other Dimensions in Music (who are Roy Campbell, Daniel Carter, William Parker and Charles Downs) is getting some wonderful reviews and we’re celebrating the release on SUNDAY, JUNE  19th at The Stone!  More details on that coming up and check the discography page for some fresh quotes and for more insight into the project  – how it came together and more – please check out the Jason Crane’s Jazz Session podcast as mentioned earlier in this post.  You can purchase the record through the JazzLoft, InstantJazz and Silkheart Records.

Many thanks for reading.  Looking forward to sharing music with you soon…