What’s happening in October 2014

windmill
Hey Friends,

Here’s what’s coming up for October in the New York City.  I recently returned from the Netherlands visiting friends and family… a wonderful trip and great to revisit faces and places with Jochem as we’re rarely there together.  Came back to New York and dove right into the Very Very Threadgill Festival from the great composer and musician Henry Threadgill,  honored to be a part of this wonderful event put on at Harlem Stage and curated by Jason Moran!  A fantastic and beautiful weekend to have been a part of. I then closed on September being part of the VoiceArts Forum at Cal Arts on MONDAY, SEPTEMBER 29, giving a presentation on my work and via Skype! It was wonderful and thanks to vocalist/educator Carmina Escobar for inviting me to take part.

CalArts Students taking me in during the VoiceArts Forum on September 29, 2014
CalArts Students taking me in during the VoiceArts Forum on September 29, 2014

And now we’re into October with lots in store as well!  Starting on coming TUESDAY, OCTOBER 7, a first time improv meeting with myself, the fantastic Miya Masaoka on koto and the fantabulous Jason Hwang on violin at I-BEAM.  I’ve been wanting to play with Miya for some time now and Jason has also been on my short list of faves to meet in an improv setting.  I’m really glad it’s happening, and before us the great bassist Ken Filiano will perform solo.

IBEAM OCTOBER
Then MONDAY, OCTOBER 13 I’m playing on the Arts for Arts InGarden Series, closing out the month long series with VoiceBassHorns with Ken Filiano on double bass, Vincent Chancey on french horn and Will Connell on reeds. I put this group together in my head some months ago and we played together for real on June 30.  WOW. Very, very happy that this opportunity has come up to play again and so soon. Our set is up at 4PM but before that there’s drummer Michael TA Thompson’s and reedist Patrick Brennan’s groups at 2PM and 3PM respectively. Learn more details here.


Later on in the month I’m undertaking quite the undertaking on WEDNESDAY, OCTOBER 22 2014.  Performing a piece of Luciano Berio’s Sequenza III for female voice as part of the Mise-En presentation at the Italian Academy for Advanced Studies in America at Columbia University, part of an evening called Berio in NYC: Sequenzas and Chemins IV.  I’m excited and petrified at the same time.  This piece deeply inspired me when I began to delve into extended vocal techniques.  I cant believe I’ll have the opportunity to perform it myself and I hope you can make it.  It free!

amsterdam night
Closing out the month at the 55BAR on THURSDAY, OCTOBER 30 with ‘Old Songs, New Skin‘ with a slightly different line-up of Marika Hughes on cello and Sean Conly on bass, mostly playing pre FVE compositions with a different sonic spin and musical approach.  Looking forward to this journey!

Thanks for reading friends…musical blessings to you.

Fay

photo of CalArts students courtesy of Carmina Escobar; all other photos by Fay Victor

What’s Happening in February 2012

Hello Friends,

Unbelievably warm greetings from New York City.

No desire to jinx the rest of the winter but we’ve been dipping in and out of a winter heatwave of sorts. I’m not too mad about it yet I actually start to miss seeing snow and can’t help but think about a warming planet that feels OK for the moment but what does this portend?

I’ll ease off thoughts of doom and gloom for now and move into sending thanks for the friends that came out to the shows last month and that stopped by the APAP/JazzTimes DIY Crash Course in early January held at the Hilton in Midtown Manhattan.  Wonderful to see so many folks in the audience the entire day taking part in the panel discussions, checking out the smaller presentations and asking lots of good questions about how to move forward in this music. Publicist Scott Menhinick of Improvised Communications and of the relatively fresh launch of the online trade journal JazzDIY was on hand as well to talk about the JazzDIY and the DIY aesthetic for the music in general.

Mid month, I had a couple shows in town, one with Other Dimensions in Music  on the Evolving Series (January 16th) and the Jazz Vault Project at the 55BAR (January 25th). I’ve also started teaching a bi-weekly Jazz Vocal workshop for the New York Jazz Workshop! A fantastic group of students to start and we’ve added a new student each new session.  The aim is turn it into a regular weekly workshop through out the Fall and Spring season so get in touch HERE if you’d like to sign up or know anyone that would.  Please reach out to me with any questions as well and while we’re at it, I’m currently taking on new private students too.  Best way to email about these matters is to lessons@fayvictor.com.  Check out the recently updated teaching page for additional information.

Coming this month…I’m playing a very special concert this coming Friday night at the Firehouse Space in Brooklyn, with composer’s Moon Young Ha’s Mis-en Ensemble performing an incredible beautiful piece composed by Luciano Berio called O King, written in honor of and dedicated to the late Rev. Martin Luther King, Jr.  This is the first time I’ll be performing contemporary repertoire and I’m nervous and very excited at the same time.  Please check out the link HERE or on Performance section of the FV site for details about the entire program for the evening.  This concert is FREE.  Later this month, I’ll appear with Ras Moshe’s Ensemble on the Evolving Series as well right before heading out to Europe to perform and collaborate with musicians there.

Much more about this in post for March but I can’t wait to share with you all the thrilling news of doing a DUO concert with the European Jazz master Misha Mengelberg at the Bimhuis on March 7th.  Please check out a clip of Misha and myself playing Thelonious Monk’s ‘Ask Me Now’ in 2008 in Amsterdam HERE:

March will keep me busy including an appearance on the ArtActs Festival in St. Johann(Tirol), Austria featuring the collective ReDDeer trio with Austrian pianist Elisabeth Harnik and UK bassist Dominic Lash, sessions with pianist Achim Kaufmann in Berlin, a vocal workshop based in Amsterdam and more.

Finally, I’m honored to once again by chosen as the El Intruso Female Vocalist of the Year and to see so many peers and friends on the list including Anthony Braxton himself as one of the Musicians of the Year and for Mr. Braxton’s opera Trillium E! Check out all the winners HERE and many thanks to all that voted.

Here’s hoping all is well with you and since I’m writing this from not just a warm but a winning NYC,  I’m wishing you read this in winning spirits!

In music,
Fay