FV Birthday HANG at the 55BAR!

Hey Friends,  If you’re in NYC on THURSDAY, JULY 27th and you’re free please join me at the 55BAR as I celebrate my birthday (just the day before!) with what has become an annual tradition – to bring together a bunch of great musicians for a series of mini sets and free explorations.  And there will be cake.  These are always a blast and a lot of people come out so if you’re coming, come early and get a seat! Line-up and flier below.  Hope to see some of you there…
Fay

June 2017 is Busting OUT

Greetings!

I hope this message meets your eyes in good spirits despite the turn the world seems to have taken. I believe that love does indeed still conquer all.
“Hatred does not cease through hatred at any time. Hatred ceases through love. This is an unalterable law.” – Buddha

Personally, all well in this neck of the woods, not too long back from the London UK and finished up May playing with the great downtown quartet Sexmob for the first time, playing in a new trio with Satoshi Takeishi’s compositions on Japanese death poems (haikus) at The Stone then my monthly happening at the 55BAR with Marvin Sewell + Sean Conly this time around.  June is tightly packed with happenings – starting with the phenomenal Vision Festival –  and I wanted to share what’s going on.

I’m even in a movie friends…  🙂  Please read on…
Vision Festival 22
www.artsforart.org/VF22

**FRIDAY, JUNE 2 2017
Vision After Dark
FV with
Joe Morris (guitar)
Reggie Nicholson (drums)
Midnight
NUBLU
62 Avenue C @ 5th St.

**SATURDAY, JUNE 3 2017
Vision Festival 22
3PM
The TalkRACE Forum @ Vision
w FV & Cisco Bradley facilitating a talk on Race

**SATURDAY, JUNE 3 2017
Vision Festival 22
Songs for a Free World
10:30PM
Vision Festival Finale
Conducted by William Parker and Oliver Lake
See VF program for full line-up here: www.artsforart.org/VF22

SUNDAY, JUNE 4 2017
New York Jazz Workshop Presentation
Advanced Vocal Class
Sylvana

MONDAY, JUNE 5 2017
Project 106: Martine Syms
Gallery Sessions – Fay Victor
11:30AM
Museum of Modern Art (MoMA)
moderated by Thomas J. Lax
more about project 106: https://www.e-flux.com/announcements/130923/projects-106-martine-syms/

Project 106 is a 6 weeks exhibition of the incredible Visual and Video Artist Martine Syms, and the focal point of this exhibition is her first feature film, Incense Sweaters & Ice with three performers/actors.  I’m fortunate to be one of the three performers in this amazing piece.  The Gallery Sessions will focus on the work Martine and I did together as well as my own output as an artist.

TUESDAY, JUNE 6 2017
NYJW Vocal Showcase @ Club Bonafide
SERIES LAUNCH!
7PM
$15 Cover
Sets by Jacquii Leveine & FV
with John Austria (piano)
Andrew Schiller (double bass)
Bruce Cox (drums)

Friday, JUNE 23 2017
Herbie Nichols SUNG Quintet
FV with
Michael Attias – reeds
Anthony Coleman – piano
Ratzo Harris – double bass
drums – tba
the Greenwich House
Benefit Concert Series

SATURDAY JUNE 24th – JULY 3 2017
International Vancouver Jazz Fest
Workshop Facilitator in Residence
Creative Improvisation Workshop – JUNE 27 2017

Thank you all for reading.

Fay

**Please note I will NOT be at the 55bar in June but back on July 27 for my annual birthday hang.

55BAR & Mise-en Festival this SATURDAY, JUNE 21st!

Friends,

This month the 55BAR residency will be on SATURDAY, JUNE 21ST from 6-9PM instead of THURSDAY, JUNE 26 as previously scheduled.  Still with Herbie Nichols SUNG featuring Michael Attias on reeds and Ratzo Harris on double bass.  NO COVER, 2 drink minimum.

Earlier in the day, I’ll run an IMPROVISATION Workshop for the wonderful and new Mise-en Music Festival at the Cell in New York City. Click the link to learn more about this festival and how you can participate.

Herbie Nichols Workshops MISE

A month of transitions into May 2014

A month of transitions…

April 2014 has got to be one of the most tumultuous months in my life.  This isn’t hyperbole – just the truth. I always look forward to April.  Spring is normally in full bloom. My husband’s birthday is right at the beginning of the month so we celebrate that and peoples faces begin to lighten since everyone knows that Winter is gone for sure.

booboobyebyeThis year’s difficult winter felt like it wouldn’t quit but even worse, just a few days into April we lost our beloved dog Martin on the 4th in a horrible car accident. This happened just a week before Jochem and I were presenting our first commissioned piece for the Fay Victor Ensemble with special guests as part of the TriCentric Music Festival put on by the TriCentric Foundation with generous support from the Puffin Foundation.  Happily and despite it all –  the piece came off very well.  The incredible Ensemble which consisted of Vincent Chancey (french horn), Nicole Mitchell (flute), Anders Nilsson (guitar) and Ken Filiano (double bass) presented Neighborhood Dynamics with aplomb, receiving wonderful feedback on the music and how we communicated our idea of gentrification, the subject the piece is based on. An absolutely incredible experience working, writing, rehearsing and developing this piece.  A huge step up for Jochem and myself as composers and the band dived into the music, giving it their all.  It was a blessing and a gift to have this opportunity and  I’m happy to say we did our damnedest to rise to the occasion.  Most touching of all was how the great Anthony Braxton took the time and space to listen to Neighborhood Dynamics and told me after that he was “simply blown away”.  A few days after the premiere, Jochem and I headed to Grenada to celebrate my uncles’ 89th birthday. Having no idea that Martin would be gone from our lives, the ability to get away was more of a godsend then ever.  A rejuvenating and transitional trip for many reasons, mainly for finding and connecting with family and learning so much more about myself in the process.  Truly a month of the loss and found.

Vincent Chancey, Nicole Mitchell, Fay Victor, Anders Nilsson, Ken Filiano courtesy of Jason Gutharz
Vincent Chancey, Nicole Mitchell, Fay Victor, Anders Nilsson, Ken Filiano courtesy of Jason Gutharz

I finished out the month of April gigging with the FVE at the 55BAR, now back to the book after working so much on the premiered piece for the Tricentric Festival. We also had cause for celebration – NINE years of being together as a group! Its the longest I’ve kept a group together and so grateful to have the best musicians and cohorts to work with.  Guitarist Anders Nilsson and bassist Ken Filiano are the absolute best.  What an honor.  We’re gearing up to play later this month (SUNDAY, MAY 25 2014) in Greenfield, MA as part of the Pioneer Jazz Shares Series and then the FVE will play at the Jazz Gallery on THURSDAY, JUNE 5 2014 in New York City! Our debut at this venerable NYC jazz institution and we’re thrilled. So please save the date NYC!

St. Georges, Grenada
Before all that I’m SUPER excited to present Herbie Nichols SUNG as part of the part of the Sound it OUT Series move to Brooklyn on THURSDAY, MAY 15, 2014 with Anthony Coleman (piano), Michael Attias (alto and baritone saxophone), Ratzo Harris – double bass and Michael Sarin – drums at the Brooklyn Conservatory of Music, my first time performing there as well.  Pretty cool since I started running the Jazz Vocal Workshop at the Brooklyn Conservatory this past February, long after the date was booked. The last show we had in December 2013 that closed out the Sound it Out Series at the Greenwich House was one of my musical highlights ever. We fired on all cylinders and the audiences responded with a rousing standing ovation! Its been magical delving into Herbie Nichols glorious compositions. Head on over to my soundcloud pages to hears some clips here: https://soundcloud.com/greeneavemusic

Herbie Nichols
Closing out the month back to at the 55BAR on May 29th at the 55BAR pianist sensation Aruan Ortiz and bassist Sean Conly for the Early Set and as always get all the deets on the GIG Section of the site and please sign up to receive my monthly newsletter if you haven’t already.

Thank you for reading.  I’m looking forward to Spring and music!
Fay

Herbie Nichols SUNG + the LAST Gig of 2013!

IMG_20131217_141613Ahhhhh just back in NYC from  an inspiring and beautiful weekend of music making with flautist/composer Nicole Mitchell’s spellbinding project “When Life’s Door Opens” in nonet in Milan, Italy for  about 1000 riveted folk. The piece is beautiful, employing many musics plus lots of space for improvising. Moreover, the band has five women, such a treat and I’m loving working with powerful, FIERCE women like Nicole as well as vocalist Kiran Ahluwalia, spoken word artist Jamika Ajalon and afro-electronica specialist Val Jeanty…along side bassist Ken Filiano, guitarist Marvin Sewell, drummer Tomas Fujiwara and Vincent Chancey on French horn. A great project written and lead by a beautiful and musical soul, composer and musician.

Now this week, I turn my focus back to an older musical hero..Herbie Nichols. If you follow me at all, you probably have an idea of what he means to me.  I discovered his music in the ’90’s when I first moved to Amsterdam, the Netherlands by stumbling across a cheesy compilation disc my then boyfriend had at his home.   The badly recorded CD didn’t hide the beauty in the composition “House Party Starting”.  I was caught by the jugular hearing it the very first time. I knew instantaneously that I wanted to sing it yet I also knew that I didn’t have the chops to do so at that time.  A couple years went by before I revisited the tune (better able to at least navigate the melody) again as a possibility for my sophomore recorded effort, ‘Darker Than Blue‘ (Timeless Records, 2001).  One Saturday afternoon the lyrics came pouring forth and thus my journey with Herbie Nichol’s Music began.  I did record “House Party Starting’ on the album called which lead me to the great European Herbie Nichols and Thelonious Monk stylist, Misha Mengelberg and with him I began performing Herbie Nichols’ music in 2005.  I started a NYC based group in 2007 and in 2012 settled on an instrumentation and approach to his unbelievably beautiful melodies. They are just that. Sinewy, twisting, angular and soulful melodies that I’ve always found singable and it’s a thrill to get to play his music this week once again with a band that’s incredible and strong.

Its the holiday season and I know folks have a lot to do but if you’re free it would mean a lot to me if you came to check out the music from this seldom performed composer We’re playing this FRIDAY, DECEMBER 20 at the Greenwich House in the West Village. Such a beautiful venue and sound and I’m honored to not only play there, we’ll also close out the Fall 2013 season.

We look forward to seeing you and the deets are below…

FRIDAYDecember 20, 2013
Herbie Nichols SUNG
at the GREENWICH HOUSE
part of the SOUND IT OUT Series
46 Barrow Street, just west of 7th Avenue South
www.greenwichhouse.org
8PM (2 sets)
$20
212-242-4770
FV – voice, lyrics, arrangements
Michael Attias – alto & baritone saxophone
Anthony Coleman – piano
Ratzo Harris – double bass
Rudy Roylston – drums

I close out the month at the 55BAR the day after Christmas and I’m bringing back Blues & Standards to close out my performing year for 2013.  What a year it has been!

THURSDAYDecember 26th 2013
FV Blues & Standards at the 55BAR
FV-voice
Anders Nillson – guitar
Ratzo Harris – double bass
Reggie Nicholson – drums
Early Set, 7-9PM
No Cover, 2 drink minimum
www.55BAR.com

Thanks for reading and I wish you all a wonderful, fruitful, joyous, restful, reflective and loving holiday season!

In music,
Fay

February 2013 news, thoughts and views

Yup, just under the fresh heels of a winter snowstorm in New York City and since I’ve yet to step out in it, I love it to death.  Its so wonderful to look at from the distance of dry warm feet and until I have to step out into it, that’s how I’ll feel.  No winter is not my thing, but that’s no reason to move away from New York City (although it was a GREAT reason to move away from Syracuse, NY), so I’m looking forward to see it go.  Later this month I’ll step out of town but no warmer climes for me but perhaps if I’m lucky more temperate.  And then there’s the music that’s happening before I head out of town which I hope will heat things up. Before getting into what’s coming up, I’d like to give a HUGE thanks to all the folks that came out to the shows plus a small wrap up of the amazing music month that was January 2013!

The moment JANUARY 1st, 2013  landed and I woke up, I felt like a new person, like something strange had lifted and flew away. So cliche no?  Yet it is the absolute truth and boy did I need that sort of energy going into the month as I had more gigs in NYC last month that I’ve ever had since I’ve loved here ( or ever) and ended the month recording the new Fay Victor Ensemble album ABSINTHE & VERMOUTH, due for release in September 2013. I’m so proud of what guitarist Anders Nilsson and double bassist Ken Filiano contributed to the music…boy oh BOY!

January started though with the music of Herbie Nichols as I opened the IBEAM residency I had on Saturdays in January with the launch of the quintet version of the project including Rudy Roylston on drums and the great Anthony Coleman on piano along with Michael Attias on reeds and Ratzo Harris on bass.  The quintet also played a set at Cornelia Street Cafe as part of vocalist Sara Serpa’s Voice Box Festival on JANUARY 22nd.  The rest of the residency was the Fay Victor Ensemble honing the original music we’ve been playing plus brand new pieces for the recording.  It was a great time at IBEAM, a wonderful performance space in Brooklyn and as a band we grew over the three Saturdays we played there.  We filmed the music too and here’s a teaser video of what’s to come on the new record: CRYSTAL – Fay Victor Ensemble The band also played at BAM Cafe LIve, one of the best venues to pay in the city with a great crowd and a fantastic atmosphere.  Great performing there again, I saw it as a good omen that we play at BAM at this time since we also performed at the Bam Cafe Live right before recording our last CD, The FreeSong Suite in 2008.  Looking forward to sharing this music with everyone and I’ll keep you posted on events and sounds as they unravel!  January ended at the 55BAR for my monthly residency there with Herbie Nichols in trio with Razto Harris and Michael Attias.  That was so much fun and a great way to end where we began the month with Herbie Nichols.  I’ll be back at the 55BAR on March 28th with the Lisa Mezzacappa/Fay Victor TRIO!

A very important note: I was honored and humbled to be asked my William Parker to sing a piece he wrote for David S. Ware’s Memorial at St. Peter’s Church on JANUARY 7, 2013.  The evening was a pristine example of space, love, class, dignity, compassion and music with performances by Matt Schipp, Guillermo Brown, William Parker, Cooper-Moore, Joe Morris, Steve Dalachinsky, Daniel Carter, Darius Jones, Muhammed Ali and more.

Coming up this month, this TUESDAY, FEBRUARY 12th, I’ll appear with the ExPosed Blues DUO and special guest Darius Jones for a set sharing the bill with Turkish guitar phenom Timucin Sahin at DROM and then I’ll appear with William Parker’s Essential Orchestra at Roulette on SATURDAY, FEBRUARY 16th.  Then I’m one the road, meeting family in France and heading to Berlin to work on and play Herbie Nichols with pianist Achim Kaufmann and tenor saxophonist Tobias Delius, culminating in 2 nights of concerts MARCH 1st and 2nd in Berlin.  February began with the openingof the Evolving Series and a special duo with drummer/composer Tyshawn Sorey.  It was a powerful start and I trust there will be more, and soon.

Going back to January once more -it was an incredible month but a sad month as well. With the loss of Butch Morris suddenly and the recent passing of Jayne Cortez and now most recently Donald Byrd (amongst so many others), it hard not to feel that our heroes and mentors are leaving quickly, like butterflies. In the case of Butch Morris, I can say with great honor that I worked with him and learned a lot from him when I did.  I attended his conduction workshops in NYC back in February 2005, the now famous Black February and attended many of those events.  I later became part of his Chorus of Poets for about three years and I tapped into Butch’s ‘Conduction’ method at a time when I was figuring out how to improvise on my own terms and truly venture into the free. It was great to have a method of improvisation where you essentially respond to his baton and in turn that creates an orchestrated sound in its entirety, whether its with voices, strings, brass, percussion or any combination of these. It was an enlightening, sometimes frustrating experience to go through but I’m a much better improvisor because of it.  Rest in peace, Mr Morris.

Thank you for reading and many thanks for your continued support.  Let’s go out and support each other’s music. Let’s share and gather for reasons other than death or loss because in sadness and in good times – MUSIC IS THE BEST.

Fay